"That's not my calling. Yeah, brother, you find me in a crack house before you find me in the White House. I'll go into the crack house before I ever go that far inside.
On May 24, TV One aired the latest installment of Smiley's accountability campaign: a two-hour documentary titled "Stand." Recycling Spike Lee's Million Man March film, "Get On the Bus," Smiley assembled a group of prominent black male public figures for a bus ride through the South.
Ostensibly, this bus trip would provide Smiley, professors Cornel West and Michael Eric Dyson, Dick Gregory and others an opportunity to reflect on the meaningful upheavals in American society and politics in the summer of 2008. "Stand" was an enormous disappointment.
Its low production value, wandering narrative, flat history and self-important egoism did little to reveal the shortcomings of the Obama phenomenon. Instead, the piece exposed and embodied the contemporary crisis of the black public intellectual in the age of Obama.
The film and its participants (two of them my senior colleagues at Princeton University) appropriated the legacy of the Rev. Martin Luther King, Jr. to implicitly claim that they, not Obama, are the authentic representatives of the political interests of African-Americans. They used King's images and speeches, gathered on the balcony where King was assassinated, and explicitly asserted their desire to play King to Obama's LBJ, and Frederick Douglass to Obama's Lincoln.